The Nix at Copenhagen Fashion Week

As the dust—or should I say, the *sustainable glitter*—settles on Copenhagen Fashion Week (CPHFW), it’s clear that Scandinavia’s fashion scene has once again stolen the spotlight. This isn’t just another glamorous event; it’s a movement. With a lineup that blends sustainability, innovation, and jaw-dropping design, CPHFW has become the ultimate destination for anyone who loves fashion with a side of purpose. It’s where the future of style isn’t just imagined—it’s lived, and it’s as chic as it is thoughtful.

A Green Revolution, But Make It Fashion

Let’s talk about sustainability, because CPHFW isn’t just paying lip service to the idea—it’s rewriting the rulebook. This year, the event doubled down on its commitment to the planet, with designers stepping up to meet strict environmental standards. Think recycled textiles, carbon-neutral runways, and innovations that make you wonder why the rest of the industry isn’t keeping up.

Take Ganni, for example. They debuted a new biodegradable fabric that’s as cool as it sounds. And Marimekko? They teamed up with a climate tech company to create something so fresh, it had everyone buzzing. (Who knew repurposed fishing nets could look *this* good?) It’s not just about looking good—it’s about doing good, and CPHFW is proving that the two can go hand in hand.

Then there’s Skall Studio, a brand that’s all about slow fashion. This season, they showcased a collection made almost entirely from deadstock fabric. Yes, you read that right—leftover materials transformed into something luxurious and utterly wearable. It’s upcycling, but make it high fashion. And let’s not forget Henrik Vibskov, the king of theatrics. His show was a masterpiece, blending art and activism. Models walked past an installation of dripping faucets, dressed in bold, voluminous pieces made from organic cotton and plant-based textiles. It was a runway show, sure, but it also felt like a call to action—a reminder that fashion can be both beautiful and meaningful.

The Collections That Made Us Stop Scrolling

Now, let’s get to the fun part: the clothes. Because while sustainability is the backbone of CPHFW, the creativity on display is what makes it unforgettable. Stine Goya, for instance, delivered a masterclass in joyful dressing. Her collection was a riot of bold colors and painterly prints—like wearing a burst of sunshine on a gloomy day. It was the kind of optimism we all need right now.

Meanwhile, Saks Potts brought the cool-girl energy with a mix of Scandi minimalism and 90s nostalgia. Leather trenches, fuzzy shearling coats, and a model casually eating a Danish pastry while strutting down the runway? Iconic. It was a nod to Copenhagen’s laid-back vibe, where fashion and lifestyle effortlessly collide.

And then there was Cecilie Bahnsen, the queen of modern romance. Her collection was pure magic—billowing silhouettes, dreamy pastels, and craftsmanship so exquisite, it made fast fashion feel like a distant memory. (Well, at least until Zara inevitably copies it.) The show was set in a glass-walled greenhouse, with models weaving through like ethereal figures in a Nordic fairytale. It was breathtaking.

But let’s not forget Rotate, the brand that brought the party. Sequins, thigh-high boots, and looks made for dancing until dawn—this was Scandi glam at its finest. The showstopper? A floor-length feathered cape that had everyone scrambling for their cameras. It was bold, it was dramatic, and it was everything.

And then there’s Baum und Pferdgarten, a brand that always brings the whimsy. This season, they leaned into maximalist layering, with clashing prints, oversized coats, and berets that gave off serious Amélie vibes—if Amélie traded her Parisian café for a snowy Copenhagen bike lane. It was quirky, it was fun, and it was so *them*.

Street Style: Where the Real Magic Happens

Of course, the real showstopper at CPHFW isn’t just on the runways—it’s on the streets. Copenhagen’s fashion crowd is next-level, serving up looks that are equal parts practical and editorial. Think oversized blazers layered over sculptural knits, chunky boots grounding flowy dresses, and bike-friendly outfits that somehow still look runway-ready. (Only in Copenhagen can someone cycle past you in a floor-length coat and clogs, looking like they just stepped out of a magazine shoot.)

The Nix Mag team was on the ground, snapping pics and soaking it all in. We spotted Danish influencer Pernille Teisbaek rocking an all-beige look that somehow made neutrals look exciting. And then there was the group of street style stars debating whether Balenciaga’s Le Cagole bag was still cool. (The verdict? It’s still a vibe, but only if you wear it ironically.)

We even got caught up in a lively discussion about “Gorpcore 2.0”—a trend that’s all about rugged-yet-refined utility. Think fleece vests paired with sleek leather pants, or waterproof outerwear that’s somehow the new couture. One editor declared, “Waterproof is the new black,” and honestly? We’re not mad about it.

The Moments That Broke the Internet

Every fashion week has its viral moments, and CPHFW was no exception. This year, it was a model at the Latimmier show who stole the show—literally. Mid-stride, she lost a heel, kicked off the other shoe, and finished the walk barefoot to thunderous applause. It was the epitome of Copenhagen’s effortless cool—a reminder that fashion isn’t about perfection; it’s about attitude.

And then there was the front-row guest at the Ganni show who pulled out a portable espresso machine from her bag and made a coffee. Was it peak Scandinavian efficiency? Absurdist performance art? Either way, the internet couldn’t get enough.

The Takeaway: CPHFW Is Leading the Way

At the end of the day, Copenhagen Fashion Week isn’t just about the clothes—it’s about the ideas. It’s a place where sustainability and style coexist, where innovation is celebrated, and where the future of fashion feels tangible. This season proved that CPHFW isn’t just setting trends; it’s setting the agenda. And as we pack up our color-blocked knits and head to the next stop on the fashion calendar, one thing is clear: the future of fashion is here, and it’s looking *good*. (And yes, we’re taking notes—on recycled paper, of course.)